« Techno-Esthétique » de L’Économie Smithienne Valeur et Fonctionnalité des Objets dans L’Angleterre des Lumières View Full Text


Ontology type: schema:ScholarlyArticle     


Article Info

DATE

2012-12

AUTHORS

Liliane Hilaire-Pérez

ABSTRACT

From The Theory of Moral Sentiments to his essay on The Nature of that Imitation Which Takes Place in What Are Called the Imitative Arts, Adam Smith offered a vision of aesthetics combining beauty and utility. An echo of exchange value as the "ability to buy other goods" - the "power" to organize and achieve one's goals - his definition of beauty was premised on the "aptness" of things, that is, the fact that they were also useful. Sustained by the commodification of products, a kind of "techno-aesthetics" thus emerged in England in the 18(th) century, one that implied designing, adapting, reducing and showcasing the means of production. More... »

PAGES

495-524

Journal

TITLE

Revue de Synthèse

ISSUE

4

VOLUME

133

Author Affiliations

Identifiers

URI

http://scigraph.springernature.com/pub.10.1007/s11873-012-0204-5

DOI

http://dx.doi.org/10.1007/s11873-012-0204-5

DIMENSIONS

https://app.dimensions.ai/details/publication/pub.1043280667

PUBMED

https://www.ncbi.nlm.nih.gov/pubmed/23264137


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